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How do you stop reflection when photographing glass?

How do you stop reflection when photographing glass?

Position your camera slightly higher than you would to light a backlit glass product so that you are shooting slightly down at your product. This will eliminate reflections and allow for a flattering angle of your product.

How do you photograph translucent objects?

With a transparent object, that’s a bit tougher to do. The simplest solution is to use the background as the light source itself. Placing a light off to the side or underneath the table but directed at a white reflector (or even just a white backdrop) bounces light back through the glass, resulting in a soft backlight.

How do you take a reflection picture?

Emil Pakarklis shares his tips for great reflection photography.

  1. Find a Reflective Surface. The first step is easy – find a reflective surface!
  2. Find a Unique Subject.
  3. Mix Reality and Reflection.
  4. Eliminate Distractions.
  5. Get Close to the Surface.
  6. Use Waves for Distortions.
  7. Photograph Imperfect Surfaces.
  8. Emphasize Symmetry.

Why are wine glasses used for refraction photography?

The real reason wine glasses are round is because they can be used for refraction photography! Okay, they are for wine, but that doesn’t mean photographers can’t use them as well. The spherical nature of this type of glass means filling them with water will allow you to see a refracted image inside the glass.

Why are reflections so bad in glass photography?

The biggest problem with photographing glass objects are reflections. Not all reflections are bad, mind you. Like shadows, we use them to show the form of our subject. But in glass photography, we like to avoid reflections. And just like front light kills most of the shadows, backlight kills most of the reflections.

What’s the best way to take a glass photo?

Setting up the light and controlling the reflections are the toughest parts of photographing glass. Once you get those two down, you’re ready to take a glass photo. With the backlighting and white backdrop, you will likely need to overexpose from what the meter tells you — my shot, for example, was at +1.3 EV.

Is it possible to photograph black acrylic glass?

That solved the problem, and now the image doesn’t have anything that takes our eye away from the prehistoric skeleton. Black acrylic glass is a wonderful prop to photograph glassware. In image (#8) I photographed a Venetian wine decanter and matching glasses and the dark reflection repeats the beauty and artistry of the subjects.

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Ruth Doyle