What pieces did John Dunstable write?
What pieces did John Dunstable write?
Compositions
| Year | Title | All Genres Choral Vocal Music |
|---|---|---|
| 1410 | Sub tuam protectionem, antiphon for 3 voices, MB 51 (many versions; probably by Binchois) | Choral |
| 1410 | Veni Sancte Spiritus et emmite, isorhythmic motet for 3 voices, MB 33 | Choral |
| 1410 | Veni Sancte Spiritus, isorhythmic motet for 4 voices, MB 32 | Choral |
| 1410 | Work(s) | Choral |
Who did John Dunstable work for?
He was in the service of the Duke of Bedford, who was regent of France from 1422 to 1435 and military opponent of Joan of Arc. Dunstable probably accompanied his patron to France; his music was well known on the Continent.
What did Dunstaple discover?
1390 – 24 December 1453) was an English composer who was the leading composer of 15th century England and among the most influential composers of his time. He developed the contenance angloise style (“English manner”), which pioneered the prominent use of harmonies with thirds and sixths.
What is the Fauxbourdon technique?
Fauxbourdon (also fauxbordon, and also commonly two words: faux bourdon or faulx bourdon, and in Italian falso bordone) – French for false drone – is a technique of musical harmonisation used in the late Middle Ages and early Renaissance, particularly by composers of the Burgundian School.
Where is John Dunstable?
England, United Kingdom
John Dunstable/Place of birth
Who were Francesco Landini’s influences or teachers?
Francesco, blinded by smallpox in early childhood, probably studied music under Jacopo da Bologna, developing a prodigious memory and great skill at improvisation. He also worked in philosophy and astrology, and supported the theories of william of ockham.
Who was Francesco Landini influences or teachers?
Jacopo da Bologna (fl. 1340-c1386) was Landini’s teacher on the organ before 1351. Landini was gifted and his talents brought him attention from the other notables of the time—he was friends with poet Francesco Petrarch (1304-1374).
What is the difference between Faburden and Fauxbourdon?
fauxbourdon, (French), English false bass, also called faburden, musical texture prevalent during the late Middle Ages and early Renaissance, produced by three voices proceeding primarily in parallel motion in intervals corresponding to the first inversion of the triad.
Who was John Dunstable and what did he do?
John Dunstable, (born c. 1385, Eng.—died Dec. 24, 1453, London), English composer who influenced the transition between late medieval and early Renaissance music. Information about Dunstable’s life is scanty. He was in the service of the Duke of Bedford, who was regent of France from 1422 to 1435 and military opponent of Joan of Arc.
Are there any sacred works by John Dunstable?
Almost all of Dunstable’s known works are sacred. There are 20-odd settings of items of the Mass Ordinary (single sections, Gloria-Credo or Sanctus-Agnus pairs, and complete cyclic Masses), 12 is orhythmic motets, some 20 motets and polyphonic settings of liturgical melodies, and 2 secular pieces.
Where can I find the music of John Dunstable?
Almost all of his motets are in a manuscript in Modena (probably copied in Ferrara); some of these motets and most of his Mass music are in sources in Trent and Aosta. Other works are in Bologna, Florence, Berlin, El Escorial, Paris, and Seville. Only a handful of English sources of his music have survived, and many of these are fragmentary.
Who was John Dunstaple in the service of?
He owned property in Normandy, and also in Cambridgeshire, Essex and London, according to tax records of 1436. After the death in 1437 of another patron, the Dowager Queen Joan, he evidently was in the service of Humphrey, Duke of Gloucester, the fifth son of Henry IV.
